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London-based artist Nicola Hicks is fascinated by reinventing animal figures with bold intention as a means of cathartic play. Her pure, raw emotional connection drives her to work and instills her love for the craft in each piece. She “loves the magical feeling of having something evolve at her fingertips, that she is making something live that hasn’t lived before.” Hicks captures the transcendental power of beings with an extraordinary intensity that eclipses mere visual fact or scientific anatomy. Elephants, bears, swans, dogs, or Minotaurs, Hicks’ art radiates an archaic energy and is far more a spiritual study of life- human, animal or otherwise- than a formal study of animals. Her practice is rooted in her empathy for the creatures she creates, and she asserts her art has nothing to do with reality but rather with evoking a visceral response. She is far less interested in her work closely resembling a particular animal; rather, she wants the figure to be that animal in essence and in spirit.
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Nicola Hicks
Saying Hello, 2023Charcoal and pastel on paper
80 3/4 x 138 3/4 inches
Unframed -
Hicks’ artistic practice has long prioritized methods for lessening the gap between thought and making. In her large- scale drawings, constructed from quickly tearing off craft paper in large sheets, and drawing with charcoal, chalk, and pastel, she is able to swiftly, subconsciously and confidently unleash the figure bursting through her imagination. Some parts of these animals are left unfinished, as Hicks is unconcerned with those elements not integral to the figure’s essence. The moment a work feels “terribly finished and a bit dead,” Hicks throws it away and starts again from the beginning. She creates her three-dimensional work in through a unique sculpting process that involves plaster and straw. There is straw strewn about Hick’s studio (she has always surrounded herself with animals), which she continually gathers and mixes with plaster to quickly erect a figure. Due to the delicate nature of her chosen materials, the final sculpture is often cast in bronze. These sculptures appear as if walking up out of the earth from which they came, powerful, fleshly and noble.
MARKS ON THE WALL: NICOLA HICKS
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