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FULL CRY
BY SUZY SPENCE -
“I’ve gotten to the point where I have full command of my medium,
I have full command of my subject.”
- Spence
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“Full Cry” alludes to the sound the hounds make when they are energetic and following the scent - the sign of a good hunt. This poignant title acts as a double entendre, describing not only the moment before a final triumph but also the collective emotional state that permeates our interpretations of art at this time.
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Mining society portraiture, political imagery, equestrian sporting paintings, and contemporary fashion photography, Spence evokes an air of female defiance and haughty sensitivities that feel alive and ghostly all at once. A sea of fresh female faces stare directly into the eyes of the viewer, intimating intense individuality and a sense of another time and place, while also of the immediate now. Inky streaks of deep black build intimate portraits of unknown women: powerful, raw, and dressed to the nines, with the playful symbology of whips and tall boots. These females are armed with sultry stares of near military strength.
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"In either event, theatricality is today more than ever implicated in paintings of women by women as both the gazed upon and the spectator have become equally active players. The multiplicity and subtlety of treatments, of which we had a glimpse through these two shows, sparkles hopeful excitement for the continual evolution of painting’s capacity to give voice to a muted presentness: to comply, to masquerade, to entice, or to attack."
- Wen Tao on Suzy Spence for artcritical, 2018
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